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Dancer at the paris opera ballet1/7/2023 An extract of Naharin virus featured young company members in frenetic solos at the opening night benefit gala, decadence also attracted some audience members, who were enlisted for cha-cha on stage. “Echad Mi Yodea”, first seen in the 1990s Kir and 1993 Anaphase, is perhaps Naharin’s signature creation, and the 22 costumed POB dancers sitting on his semi-circle of chairs did justice to his sense of community and menace. After several months of work, the corps de ballet of the Paris Opera can approach it effectively, and in some cases with admirable speed. His technique is a marvel of kinetic articulation, deeply rooted but full of limbs thrusting out at acute, impossible angles. The Israeli choreographer first compiled it in 2000 for his Batsheva Dance Company, and there have been a number of incarnations since the one presented in Paris is presented as a “new version” for 31 dancers, instead of Batsheva’s current 16.ĭecadence features brilliant sequences – that’s a given, since Naharin has been one of the most impressive choreographers of recent decades. Not one of about 25 stars and soloists leading the Parade were on stage in decadence, a series of the greatest hits from Naharin’s repertoire. While tutus are not the alpha and omega of ballet, the contrast between the strict hierarchy of the Défilé and the creation of the company that followed, the contemporary and collective style of Ohad Naharin decadencewas austere. This season was one of only two opportunities to catch company in tutus, the other being Swan Lake. Still, this ritual is starting to feel like an awkward reminder of classical glories past. A very special emotion for the Parade, which sees the 154 dancers of the Paris Opera Ballet parade by rank to mark the start of the season.
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